“Hang On” wonders on the tensionbetween the two allegedly conflicting forces ofpreservation and progress. It is comprised of a series of installations withinthe space of the ruin, which make use of rope and the remains of the originalstructure found on site such as stones, wooden beams and furniture. Theinstallations explore states of balance between opposing forces: liftedelements and weights, movement vs. stability, in and out. Positioningthese forces in dichotomy demonstrates their definition in relation to theother and raises a question on the possibility of equilibrium: What will standand what will fall? What should remain and what should change? Which of theopposing forces will prevail?

The construction process of theinstallation itself employed actions and techniques of archeologicalexcavations, site surveys and architectural preservations: site clearing, reconstructionand repairs, piling, sorting and marking of the objects and building partsfound on site.